DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, with this difference: Buster seems a plausible mate, plus the Tramp barely appears to possess a libido, only idealized notions. If their comedies were manufactured in a more liberated time, it is achievable to imagine Keaton in mattress with a woman, but disquieting to think about the Tramp as a sexual remain